Abderrahmane Sissako (born Oct 13, 1961, Kiffa, Mauritania) is a Mauritanian-born Malian director whose work explores globalization, exile, and everyday life across Africa and its diasporas. Notable films include Life on Earth (1998), Waiting for Happiness (2002), Bamako (2006), and Timbuktu (2014), which was nominated for an Academy Award and competed at Cannes; he returned with Black Tea (2024). His films foreground observational detail and ethical nuance, emphasizing human dignity within political and economic pressures.
On the cusp of the new millennium, Dramane returns from Paris to his father’s village of Sokolo in Mali. The film observes daily rhythms—post office routines, a photographer’s small rituals, market chatter—through a poetic, gently humorous lens that contrasts abundance in Western supermarkets with subsistence in rural Africa. Dramane’s tentative connection with Nana becomes a touchstone for contemplating time, modernity, and belonging; Sissako’s camera lingers on faces and gestures, allowing fragments of radio broadcasts and letters to braid personal memory with collective experience. Rather than plot-driven escalation, the film’s power emerges from accumulation: small moments of tenderness, social bustle, and pauses that let silence speak, forming a reflective portrait of a village registering the world’s changes at its own tempo.
Abderrahmane Sissako, Nana Baby, Mohamed Sissako
Cinematography: Jacques Besse, Editor: Nadia Ben Rachid